HD Tracks

•November 26, 2012 • Leave a Comment

HD Tracks – great catalogue, lousy download manager. www.hdtracks.com

I have been following HD tracks for  couple of years now. There is no doubt that this is the future of digital music – studio grade master recordings in glorious 24 bit, and now there are lots of really good albums available, including new releases. The prices – $18 to $20 for single albums – are a little high for my liking. However, every once in a while I receive an promotional email with a discount voucher (10% off). As I have usually been saving up albums that I want to buy for some time, often the discount code prompts me to purchase them all. Two things result: 1. I always hit purchase and then seconds later realize that there was an album that I forgot. When I go to order that album, I am told that I have already used the discount code and cannot use it again. THIS IS BAD BUSINESS. Not only should they let me use my discount code again, they should give me an additional discount of 5% for spending over $100 to tempt me to download even more music (that I already own in at least 2 other formats – CD and Vinyl). Instead, I give up and they lose money. The other issue 2. Once you go to download, usually half way thru, the download manager crashes, and after closing it an reopening it, often the download starts from the beginning (this can be a 10 or 15 GB download) and crashes at the same spot. Just last week after 2 days of annoying starts and stops, deleting the .part file etc. it just downloaded the rest. Bizarre. The DL manager sucks. They should check out the one on the Bowers and Wilkins music club site – much better. The other thing that bugs me is that there is no re-download facility (that is the reason I gave up on emusic.com): my hard drive died very soon after a previous download, and took my precious 24 bit files with it. As far as HDTracks are concerned – tough luck, if you want the tracks – pay for them again. This is ludicrous, I have no objection to a nominal fee for their bandwidth costs, but I have paid for the tracks – to license them for my own use and I should be able to re-download them. That is very much the way cloud computing is going.

So, here are my suggestions for HD Tracks: 1. Form a music club, charge audiophiles (who tend to be spendthrift) an annual subscription fee (for example $100) and knock 25% off all downloads for us all the time. 2. Get a new download manager. 3. Let us re-download our files at least once. 4. Open up a European store

Best of 2012

•November 12, 2012 • Leave a Comment

The end of the year is nigh! All of the new releases are essentially out by now, and I am looking at the large pile of CDs in front of me trying to figure out what will make the long term cut and what will be banished to the attic. As each year passes, the number of outstanding albums appears to be falling dramatically.

Here of are a few that will make it:

1. Blunderbus – Jack White

2. Sunken Condos – Donald Fagen

3. Psychadelic Pill – Neil Young

4. Jake bugg – Jake Bugg

5. Long Wave – Jeff Lynn

6. What the world needs… – Sugarman 3

7. Blues Funeral – Mark Lanegan Band

8. Born to die – Lana Del Rey

9. Shallow Bed – Dry the River

10. No Gods – Sharks

11. Sonik Kicks – Paul Weller

12. What the world needs now – Kindness

13. One day I’m going to soar – Dexys

14. Simone Felice – Simone Felice

15. Band of Horses

16. A wasteland companion – M Ward

17. Beachwood Sparks

18. Mr M. – Lambchop

19. Barton Hollow – Civil Wars

20. Russian Wilds – Howlin’ Rain

21. Syd Arthur – Syd Arthur

22. Spector – Spector

23. Allah-Las – Allah-Las

24. Tempest – Bob Dylan

I won’t stand by any more right now – there are a number – Perfume Genius, Sleigh bells, Django Django, Sharon Von Etten, Grimes, Shins, Sigur Ros, Beach House, Bobby Womack, Fiona Apple that might wrangle their way into my affections. A lot of mediocre follow up albums by established artists. I have spent much of the year listening to ECM jazz. A list of my favorites to follow.

Favorite Albums (today) – Rock and Pop

•November 12, 2012 • Leave a Comment

Favorite Albums (Rock, Pop)

  1. Hot Rats – Frank Zappa
  2. Grand Prix – Teenage Fanclub
  3. The Nightfly – Donald Fagan
  4. Freedom – Neil Young
  5. I’m Your Man – Leonard Cohen
  6. Layla – Derek and the Dominos
  7. The Stone Roses – The Stone Roses
  8. John Barleycorn Must Die – Traffic
  9. Harvest – Neil Young
  10. The Joshua Tree – U2
  11. The Book of Invasions – Horslips
  12. Summerteeth – Wilco
  13. Astral Weeks – Van Morrison
  14. Pretzel Logic – Steely Dan
  15. Something Else – the Kinks
  16. Coming Up – Suede
  17. Your Mine and Ours – Pernice Brothers
  18. London Calling – Clash
  19. Infidels – Bob Dylan
  20. The Wall – Pink Floyd
  21. Achtung Baby – U2
  22. The Bends – Radiohead
  23. Asleep at the Back – Elbow
  24. Natural History – I am Kloot
  25. The Trinity Session – Cowboy Junkies
  26. Discovery – Electric Light Orchestra
  27. Beggars Banquet – Rolling Stones
  28. Too Ray Ay – Dexys Midnight Runners
  29. Parallel Lines – Blondie
  30. Give out but don’t give up – Primal Scream
  31. Nixon – Lambchop
  32. The La’s – The La’s
  33. The Doors – The Doors
  34. Figure 8 – Elliot Smith
  35. Up the Bracket – Libertines
  36. Different Class – Pulp
  37. Automatic for the people – REM
  38. Forever Changes – Love
  39. Armed Forces  – Elvis Costello
  40. Back in Black – ACDC
  41. The Fillmore Concerts –Allman Brothers Band
  42. Physical Graffiti – Led Zeppelin
  43. Abbey Road – Beatles
  44. Solid Air – John Martyn
  45. Full Moon Fever – Tom Petty
  46. Band of Gypsies – Jimi Hendrix
  47. Midnite Vultures – Beck
  48. HMS Fable – Shack
  49. The Life Pursuit – Belle and Sebastian
  50. The Crossing – Big Country
  51. Blood Sugar Sex Magik – Red Hot Chili Peppers
  52. The Queen is Dead – The Smiths
  53. No. 1 Record – Big Star
  54. Yoshimi Versus the Robots – Flaming Lips
  55. Paranoid – Black Sabbath
  56. Blitzen Trapper – Destroyers of the Void
  57. The Band – The Band
  58. Introducing the Hardline – Terence T’rent D’arby
  59. Boston – Boston
  60. Songs from northern Britain – Teenage Fanclub
  61. Exodus – Bob Marley
  62. Lapalco – Brendan Benson
  63. Small Craft on a Milk Sea – Brian Eno
  64. That Lucky Old Sun – Brian Wilson
  65. The River – Bruce Springsteen
  66. Avalon – Roxy Music
  67. The Black Light – Calexico
  68. There is nothing left to lose – Foo Fighters
  69. Life on other planets – Supergrass
  70. Performance and Cocktails – Stereophonics
  71. Bring it on – Gomez
  72. The Hard Way – Steve Earle
  73. Urban Hymns – The Verve
  74. Queen of Denmark – John Grant
  75. Enjoy the Melodic Sunshine – Cosmic Rough Riders
  76. Ignore the Ignorant – The Cribs
  77. Hunky Dory – David Bowie
  78. Communique – Dire Straits
  79. Byther Lyther – Nick Drake
  80. Velvet Underground and Nico – Velvet Underground
  81. Car Wheels on a Gravel Road – Lucinda Williams
  82. Yonder is the Clock – Felice Brothers
  83. Replicas – Tubeway Army
  84. Hello and Goodbye – Tim Buckley
  85. The Sophtware Slump – Grandaddy
  86. Deserter’s Songs – Mercury rev
  87. Viva hate – Morrissey
  88. Showbiz – Muse
  89. Workingman’s Dead – Grateful Dead
  90. Who’s Next – The Who
  91. Steeple – Wolf People
  92. Rings around the world – Super Furry Animals
  93. Ted Nugent – Ted Nugent
  94. The Man Who – Travis
  95. Mag Earwig! –Guided By Voices
  96. Fly Like and Eagle – Steve Miller Band
  97. Pills thrills and Bellyaches – Happy Mondays
  98. Its great when you’re straight – Black Grape
  99. Lust For Life – Iggy Pop
  100. New Boots and Panties –Ian Dury
  101. The king is dead – Decemberists
  102. Dream of the Blue Turtles – Sting
  103. Our Love to Admire – Interpol
  104. Dig your own hol – Chemical Brothers
  105. Magical Ring – Clannad
  106. Made in Japan – Deep Purple
  107. Ode to Sunshie – Delta Spirit
  108. Unplugged – Eric Clapton
  109. Sing along songs – Jack Johnson
  110. Sound Effects – The Jam
  111. Tomorrow the green grass – Jawhawks
  112. Equinoxe – Jean Michel Jarre
  113. Bananas Foster – the Jigsaw Seen
  114. Twin Cinema – New Pornographers
  115. Kicking against the pricks – Nick Cave and the Bad Seeds
  116. Blaze of Glory – Joe Jackson
  117. Wicked Grin – John Hammond
  118. Closer – Joy Division
  119. The Magic Numbers – the Magic Numbers
  120. Under the Influence – Mary Coughlan
  121. Kasabian – Kasabian
  122. Girlfriend – Matthew Sweet
  123. Bat Out of Hell – Meat Loaf
  124. Transformer – Lou Reid
  125. MTV Unplugged – Nirvana
  126. Whats the story morning glory – Oasis
  127. Mosely Shoals – Ocean Colour Scene
  128. The Stage Names – Okkervil River
  129. Bundles – Soft Machine
  130. Specials – the Specials
  131. Mothership Connection – Parliament
  132. Stranded and Enchanted – Pavement
  133. Love is Here – Starsailor
  134. Manassas – Stephen Stills
  135. Breakfast in America – Supertramp
  136. Heart of Saturday Night – Tom Waits
  137. Warpaint – The Fool
  138. Gold – Ryan Adams
  139. Mind if we make love – Wondermints
  140. Meo Syi u Wtryn Vuio – Sigur ros
  141. Aeroplane over the Sea – Neutral Milk Hotel
  142. Welcome to the Monkeyhouse – Dandy Warhols
  143. Rated R – Queens of the Stone Age
  144. Dark side of the Moon – Pink Floyd
  145. International Velvet – Catatonia
  146. The David Grisman Quintet – The David Grisman Quintent
  147. The Reconfiguration of Blind Joe Death – John Fahey
  148. The Last Broadcast – Doves
  149. Smile – Brian Wilson
  150. Aztec Camera – High Land, Hard Rain
  151. Faster Pussycat – faster Pussycat
  152. Atlantic Crossing – Rod Stewart
  153. Surf – Roddy Frame
  154. Exile on Main Street – Rolling Stones
  155. Only Revolutions – Biffy Clyro
  156. Cheap Thrills – Big Brother and the Holding Company
  157. Catch a Fire – Bob Marley
  158. Forgiveness Rock Record – Broken Social Scene
  159. Degeneration Street – The Dears
  160. The Fantastic Adventures of Dillard and Clark – Dillard & Clark
  161. XII – Dwight Twilley
  162. Welcome to the Pleasuredome – Frankie Goes to Hollywood
  163. God Help the Girl – Stuart Murdoch
  164. Live at Folsom Prison – Johnny Cash
  165. In the court of King Crimson – King Crimson
  166. K – Kula Shaker
  167. Gonna Take a Miracle – Laura Nyro
  168. Rattlesnakes – Lloyd Cole
  169. Bizarre fruit – M People
  170. Hold Time – M. Ward
  171. Do you like my tight sweater – Moloko
  172. Loss – Mull Historical Society
  173. Blacklisted – Neko Case
  174. Gotham – Radio 4
  175. Glow – Reef
  176. Shoot out the lights – Richard and Linda Thompson
  177. Under the blacklight – Rilo Kiley
  178. Robert Wyatt – the end of an ear
  179. Isotope – Illusion
  180. Nucleus
  181. Inspiration Information – Shuggie Otis
  182. Spiders – Space
  183. Pocket Full of Kryptonite – Spin Doctors
  184. Transference – Spoon
  185. Stanley Beckford plays mento – Stanley Beckford
  186. Sowing the Seeds of Love – Tears for Fears
  187. Psychocandy – Jesus and Mary Chain
  188. Murky Water – Leisure Society
  189. The Meters – The Meters
  190. Days of our future passed – Moody Blues
  191. High Violet – The National
  192. Cruel Guards – The Panic
  193. Consolers of the Lonely – Raconteurs
  194. Australian Melodrama –The Triffids
  195. Elephant – White Stripes
  196. Pugwash
  197. Palermo Snow – John Renbourne
  198. Nothing is wrong – Dawes
  199. Sgt Pepper – Beatles
  200. Innerspeaker – Tame Impala

This week’s new releases 16.3.2012

•March 15, 2012 • Leave a Comment

Ok – I have ignored this blog for a year – so it’s time to get going again.

New Weller album out this weekend – I will do everything in my power to stop myself buying it – and I will fail miserably. There’s a deluxe edition – I am addicted to them. If these things become valuable in the future – I will be a millionaire.

Looking for:

Kindness – world you need a change

The Shins – Port of Morrow

Tall Firs – Out of It

Thomas White – Yalla!

Sharks – No Gods

As usual half won’t be in my local HMV. But at least I have one

 

Shitty Vinyl

•January 26, 2011 • Leave a Comment

After 12 months of uncontrolled vinyl buying, I dug out a few records over the weekend that I had yet to spin. Vinyl junkies often own both the CD and the vinyl version of a particular recording. I located Solid Air by John Martyn – recently reissued in Deluxe Edition, and now available on 180g vinyl thanks to simply vinyl (http://www.simplyvinyl.com/index.php/john-martyn-solid-air.html) – not an inexpensive purchase. Good thick cardboard gatefold sleeve. With a reassuring thud the stylus hit the black stuff and then the wonderfully analogue chimes of John Martyn, wonderful full bass and soundstaging. It blew the remastered CD out of the water. 
Ah the warm afterglow of vinylisation.
The second record was Levron Helm’s Dirt Farmer – I really enjoyed the follow up – Electric Dirt on CD, so when I spotted this album for 19.99 in Tower Records, Dublin, I bought it, sound unheard. Back in my armchair for some good lovin country blues – that great acoustic sound that you only hear on vinyl. But no – thin thin thin. No soundstage. Thin. Ugh! The label proudly proclaims – high quality 180g vinyl. It sounded like a feeble early 80s mass produced pap. Ah well, at least I can download the mp3 files for my iPod – but NO NONE no mp3 voucher just crap overpriced vinyl. This is a major issue for me – the reason why I stopped buying vinyl in the 1990s was that it started to sound so bad. As vinyl became an audiophile product, the quality improved immeasurably to the point that vinyl, today, with the demise of SACD, and before the emergence of blu-ray audio, is the defacto standard. If record companies start tossing out poor quality vinyl just because it is a source of sales, then the whole pyramid will collapse around them. Vinyl is a premium product – it costs more than CD period, we buy it because it sounds better. There is no way to know whether the sound will be good by looking at the cover (although a nice gatefold with heavy cardboard is always a good sign). Hence it is up to us, vinyl buyers to speak up and “grass out” the bad releases.

Happy to meet you – again – sorry, I won’t part! Horslips

•December 1, 2010 • Leave a Comment

Horslips are my favorite Irish band – inventors of glam celtic rock in the 1970s

I couldn’t resist it – “Horslips – the road to the O2” or on DVD – 17.99 (a bit pricey). This was a talking heads documentary that involved the celtic glam rockers chit chatting about their much hyped comeback gigs in 2009 at the Odyssey, Belfast, and the O2, Dublin. I wasn’t in Belfast, but one comes away with the impression that the gig wasn’t great, or at least the atmosphere was muted (apparently the fiftysomething audience were so busy crying that they weren’t cheering). Whatever! I was at the Dublin gig – a bit of an anticlimax, until they unleashed the rockers at the end. Curious that a band that could hardly fill the National Stadium at their peak, can fill a mega-arena like the O2 as a nostalgia act. As such, they have a great range of material to draw on, from the glam rock early 70s stuff, to the folkie mid 70s to the rocking late 70s and the americanised AOR of 1980. This includes two great concept albums – “the Tain” and “the Book of Invasions”. 

I first “discovered” Horslips just after they broke up in 1980; I was given a cassette copy of “The Belfast Gigs”. How could a young punk resist the rapid riffing of Dearg Doom, Trouble, Shakin all over and King of the Fairies. I was hooked. K-tel released a compilation in 1981. It was fantastic: of course we knew most of the trad tunes – such as Daybreak (the theme from “Youngline”) and  “Flowers among them all” (theme of the radio show on RTR “Highways and By-ways”). How cool was celtic rock in the face of synth pop, the manufactured bubblegum of Stock, Aiken and Waterman and of course – Hair Metal. Yeah U2 were a great Irish band, although in the 80s we all thought that Bono was a plonker, still do – but respect him now, but Horslips – they played real Irish rock.

Now they’re back – of course I am going to see them again in the O2, Dublin, on December 4th.  From the video you see your musical heroes as middle aged dads that know that they are middle aged, at ease in each other’s’ company, not drug addled washed out has-beens that are only doing it for the money. They have all had successful post-Horslips careers; they are proud of their heritage and dammit – having a lot of fun doing it all over again. So, yes, I am going to drop 17.99 on the live CD [update – bought it, enjoyed it, recommend it].

If you are new to Horslips, I can strongly recommend the compilations “Treasury:the best of Horslips”. If you are an album lover, one cannot beat “The Book of Invasions.” I love “Tracks from the Vault” and odds and sods compilation, and, of course “The Tain”. The Belfast Gigs would be ripe for an expanded deluxe edition re-release. If you want to concentrate on the mid 70s celtic rock era – try “Live”.

Frampton is still alive

•December 1, 2010 • Leave a Comment

After many years of ignoring it, knowing it to be one of the biggest selling records of all time, I finally caved and bought a copy of “Frampton Comes Alive” – the 1976 double live tour-de-force by the previously unknown and rapidly forgotten Humble Pie graduate.  My chauvinism to this particular artist derives from viewing the awful movie – Sgt Pepper, in which he starred with the Bee Gees, at a matinee some-time in the late 70s. Too good looking, too much perm (big hair), too not punk rock: the LP was cheaply available in every bargain bin in the world in the 1980s.

So into the CD player it went – the album starts with applause and cheers – nice crisp remastering (1999 remaster, pre- loudness wars, the optimal era), then the music. Stop the lights this is good, slick 70s AOR – but exciting. A tight band, a little noodling, and a vocoder that doesn’t sound naff (please save me the torture of Neil Youngs 1983 album Trans). Man I’m rocking and toe tapping like its ’75 all over  again, shoulder length hair and bell bottoms wearing a sweatshirt with 76 emblazoned on it. I’m hardly thru the first 3 songs and I have decided to buy “Thank you, Mr Churchill” – Frampton’s latest CD (3.5 stars on allmusic; 3-4 in most publications). Crikey – Sgt Pepper sountrack has 4 stars from 80 plus reviews on Amazon! Still not buying it.

Frampton  may be one of those unusual artists who produces fairly decent studio albums but really shakes his stuff in concert. Hence I decided to compile a list of artists whose defining work or best album(s) is live (accepting that many live albums are overdubbed). So here’s my list:

  1. Motorhead: No sleep till Hammersmith.
  2. Thin Lizzy: Live and Dangerous.
  3. Deep Purple Mk II: Made in Japan (+ the Japan Concerts)
  4. Deep Purple Mk III: Live in London/Paris/Made in Europe/The final concerts.
  5. Peter Frampton: Frampton comes alive.
  6. Muddy Waters: live at Newport 1963.
  7. BB King: Live at the Regal.
  8. James Brown: Live at the Apollo.
  9. Elvis Presley: In Person at the International Hotel Las Vegas.
  10. Allman Brothers: Live at the Fillmore East/The Fillmore Concerts.
  11. Jimi Hendrix: Band of Gypsies/The Fillmore Concerts (yes I know that this is controversial)
  12. Johnny Cash: Live at Fulsom Prison
  13. The Who: Live at Leeds (the deluxe edition including Tommy)
  14. Talking Heads: Stop Making Sense
  15. Keith Jarrett: The Koln Concert
  16. Cheap trick: At Budokan
  17. Stevie Ray Vaughan – live at Montreau 1982 and 1985
  18. Bill Evans – Sunday at the Village Vanguard
  19. Little Feat – Waiting for Columbus
  20. Eric Clapton – Unplugged
  21. Bob Segar – Live Bullet
  22. Erroll Garner – Concert by the sea
  23. Hot August Night – Neil Diamond
  24. MC5 – Kick Out The Jams
  25. Rory Gallagher – Irish Tour 74
  26. Tom Robinson – Living in a Boom Time

Worst Live Albums:

  1. Dylan and the Dead – a stinking piece of shit.
  2. Rolling stones – Still life
  3. The Who – Who’s last?
  4. Neil Young – Arc/Time Fades Away/Year of the horse [all brutal]
  5. Lauren Hill – MTV unplugged 2.0
  6. Grateful Dead – Steal your face

Terrific live albums by bands that have made better studio albums:

  1. Leonard Cohen – Live in London
  2. Horslips – The Belfast Gigs
  3. Too Late to Stop Now – Van Morrisson
  4. The Clash – Live at Shea Stadium
  5. Jimi Hendrix – Stages (4 CD box set currently unavailable, released circa 1990)
  6. Steve Miller Band – Live! (1992)
  7. Neil Young – Live Rust & Massey Hall
  8. Phish – A live one
  9. Bob Dylan – Albert Hall (Manchester Free Trade Hall) 1966
  10. Various – Monterray Pop Festival Box Set (includes Jimi Hendrix and Otis Redding)
  11. Rolling Stones – Get Your Ya Ya’s Out
  12. Paul McCartney – Good Evening NYC
  13. Pink Floyd – Is there anybody out there?

Looking at this list there is something striking – it’s like a who’s who of classic rock. Why no recent bands. The principle reason for this is that few artists continue to release live recordings on CD – the majority of live music is now released on DVD & Blu-Ray. This is understandable as live music is as much visual as it is audio. Hence – U2 have released a series of “videos” – Zoo TV, Mexico City, Boston, Go Home, Chicago, California that are phenomenal audio recordings, but released only as VHS/DVD/Blu-Ray. Leonard Cohen’s recent output has been released in multi-format with excellent sound quality – notably 24/96 audio on DVDs – bravo. Most concerts these days are 2+ hours – necessitating double CD releases, or more vinyl sides than you are able to carry: a single DVD is more portable at least, if not difficult to listen to while jogging, driving the car, making love etc. The recently released “Ladies and Gentlemen” on DVD/Blu-Ray by the Rolling Stones is superior to anything they have released ever live, in terms of music, but not a great spectacle: all focused on Jagger, you wouldn’t mind seeing Mick Taylor playing guitar for a few seconds at least.  Moreover, with a few exceptions, I have better bootlegs by virtually every one of these artists than their officially released (usually overdubbed and fished from multiple performances) fodder. It’s amazing that, aside from Wolfgang’s Vault, BBC recordings  and the Deluxe Edition sets, artists and record companies have not tapped the vaults of radio stations and soundboards for “legal bootlegs” to satisfy the demands of the fans. Certainly Pearl Jam’s strategy of selling CDs of every concert on one of their tours was a great idea: I’m surprised that U2 don’t sell flac downloads of their concerts as a “I was there” keepsake.